
An Absence of Motive
Maggie Wells is the author of a number of contemporary romances (a couple of which have been reviewed here) and when I noticed her name attached to a new Harlequin Intrigue romantic suspense series, I decided to give her a try. An Absence of Motive has an interesting and fairly well developed plot, and I liked the set up, but the romance – once again – seems to have fallen victim to the limited page count because it’s almost non-existent, the couple of kisses the couple share are really shoe-horned in, and the same is true of the book’s only action scene, which is kinda blink-and-you’ll-miss-it right near the end.
Former DEA Agent Ben Kinsella was forced to leave Atlanta after an undercover operation that resulted in the death of a close friend and in his identity becoming known to the drug ring he’d infiltrated. He’s since relocated to the small Georgia town of Pine Bluff and taken up a position as sherrif, nominated for the job by the town’s most influential resident, Henry Masters, whose forebears founded Masters County and the lumber business that employs many of the local residents. When the book opens, Ben has just been called to the scene of the death of a young man named Cliff Young – a foreman at Timber Masters and a close friend of Henry Masters’ late son, Jeff – out at his family’s cabin on Sawtooth Lake. Ben is waiting for the ME to arrive when Masters bursts into the cabin, followed by a gorgeous woman whose body language screams her wish to be anywhere else. Masters introduces her as his daughter Marlee, a newly qualified attorney, and tries to get Ben to give him some of the details of the case – but Ben politely sidesteps his questions, refusing to confirm or deny anything until he has more information.
Marlee Masters has no plans to give in to her father’s overbearing ways and return to Pine Bluff to run – or help him to run – Timber Masters. That had always been the role earmarked for her brother Jeff, but Jeff’s suicide a few months earlier has left a hole that Masters now expects Marlee to fill. Which she has no intention of doing – she’s got her sights set on making a career and life for herself in Atlanta.
When Cliff’s death is ruled a suicide, Marlee can’t help but start wondering if maybe her brother’s death – he took his own life at their family property on Sawtooth Lake – was no suicide, and that perhaps there is something far more sinister at work than mere coincidence. She takes her concern to Ben, but with no evidence whatsoever to go on, they’re at something of a dead end. When she’s tasked with looking into documentation relating to Timber Masters’ property holdings, Marlee starts noticing things that don’t add up – mass evictions for seemingly bogus reasons, development deals for property on Sawtooth Lake – and becomes even more convinced that Jeff’s death and Colin Young’s were not suicides and that they’re somehow connected.
The mystery in An Absence of Motive is well thought-out and although it moves fairly slowly, the pacing means there are no silly leaps of logic and that everything feels as though it’s progressing in a logical manner. The two leads are likeable, if not all that well fleshed out – I liked that Marlee transcends the poor-little-rich-girl trope, and Ben’s background and his observations on being a man of colour working as an LEO are interesting and relevant. There’s also a sub-plot about someone stalking Marlee and then spreading unpleasant rumours about her – and about her and Ben – which increases the tension and illustrates the claustrophobic, small-town setting. What works less well, however, is the romance between Marlee and Ben, which is severely lacking in chemistry and is perfunctory at best, and the supposed ‘twist’ at the end relies too much on coincidence. The climactic action scene seems almost as though it’s an afterthought, and the ending feels rushed – which was disappointing after such a promising start.
I liked the mystery in An Absence of Motive, and I liked the two leads, even though their romance is a bit lacklustre. I’m offering a low-level recommendation with that proviso – the mystery works better than the romance. I’ll keep searching for a Harlequin Intrigue title that gets the balance right.






Thanks for reviewing this one, Caz. I like reading Harlequin Intrigues on occasion, and have found their pacing to be pretty good overall. You’re definitely right though about the challenge of authors finding a balance though. In Intrigue in particular, it must be difficult because a) you need a compelling mystery that makes sense within a tight word count and b) the submission rules state that the heat level for the line is “low to moderate… no graphic sexual details.” Not saying you can’t have palpable tension in a low heat story, but try squeezing all that into 55,000 words.
Yeah, that tends to be a problem across the Harlequin spectrum. There always seems to be a final showdown in the last 10% of the story, whether the narrative requires it or not. And, more often than not, it feels super forced. A lot of times, it involves the heroine getting kidnapped for no discernable reason other than creating a last source of phoned-in drama.
Anyway, I wish I had some Harlequin Intrigue recs that balance the romance with the mystery. The few higher heat ones (for the line) that I’ve read tend to be more action/suspense than mystery oriented.
I don’t mind a lower heat level – as long as there’s a good dollop of sexual tension and an HFN, it’s fine; I don’t want characters who stop to shag when they’re being shot at! The Juno Rushdan book I reviewed recently had fantastic action scenes – a mash up of both styles would be really good – Wells for the plot, Rushdan for the action!
But as I’ve said in almost all of my recent RS reviews, hardly any of them – and that includes books with a 300+ page count – are getting the balance right. I just read the new Rachel Grant (for review) – which is the first in a series (I think it’s 3 books) featuring the same couple. That approach has been working really well in m/m RS – Gregory Ashe, Cordelia Kingsbridge and L.J Hayward, to name but a few, have all produced brilliant RS series with the same central couple that have excelled in terms of both plot and romance, so maybe it’s time for m/f to give that a try. Because the RS one-offs are mostly not working all that well these days.
I agree 100% with that! They need to wait until a more appropriate moment, like when the current wave of bad guys is defeated and they can get a room.
As for RS series starring the same couple, Carina Press has been begging for those kind of submissions for a while with seemingly few takers, unfortunately. Plus, I think Harlequin Intrigue has done a test release of that concept, if I’m not mistaken.
Yeah, I think combining a good romance arc with a good suspense arc within the same title isn’t the easiest combination to pull off. For one thing, when the characters don’t fall into the trap of having sex while the bad guys are right outside, they tend to not have any time to develop a believable romance at all. Setups I can potentially see working to strike an appropriate balance are the “only one bed” and “fake marriage” tropes, maybe “second chance romance” too. It’s hard to say. Anyway, good luck with your search for better m/f RS!
Interestingly enough, the Intrigue line just published the very thing you’re asking for. From April through July they published a 4-book series by Carol Ericson that followed the same couple. They also published such a series in 2019.
It’s not a new idea. Way back when Intrigue published a 4-book series by Robin Francis that followed the same couple from 1990-1992.
You’re right that it’s not a new idea – it’s just very rarely done in m/f RS while in m/m, it’s almost the norm, which is working so much better.