
Her Night With the Duke
Her Night with the Duke is book one in Diana Quincy’s new Clandestine Affairs series of historical romances, in which a young widow and a handsome duke share a night of incredible passion only to discover that their lives are about to become entangled in a way neither of them had expected. It’s an engaging read featuring a clever, spirited Anglo-Arabian heroine, although her much vaunted cleverness is inconsistent, and my disappointment in the characterisation of the hero ultimately kept it from a higher rating.
Lady Delilah Chambers, a young widow, is stranded at an inn after two years of traveling abroad, visiting family, and researching for the travel books she writes. At the same inn is Elliot Townsend, Duke of Huntington, who saves Leela from molestation by a group of drunken men. Afterwards, the two of them give in to their mutual attraction and spend the night together. After going their separate ways the next morning, they are both stunned to find they’re guests at the house-party being thrown by Leela’s stepson Edgar, and even more stunned to discover that Elliot is the prospective suitor of Lady Victoria, Leela’s beloved stepdaughter. Edgar, who is only two years older than Leela, has never approved of her, mostly because of his hidden desire to sleep with her. Due to this tension and the fact she is finding it hard to be near Hunt, Leela moves out of the main house and into a house on the estate. It is right after this that she finds out Edgar has been keeping her inheritance from her; the very house she has moved into.
In the meantime, she encourages Victoria, who is slightly terrified of Hunt and continually stutters around him, to get to know him better to see if they can make a match of it. Hunt and Victoria slowly start to become friends while Leela jealously looks on; Hunt tries to tell Leela multiple times that he is not really interested in Victoria and wants her instead, but she only tells him he should be with Victoria. After Edgar lets news of the impending engagement between Hunt and Victoria ‘slip’ at dinner, Hunt feels trapped. His main goal in life is to avoid being a scapegrace like his late brother, and he certainly doesn’t wish to ruin a young woman’s life by publicly denying the existence of a betrothal between them. Together, Leela and Hunt must decide if their one night of passion is worth upsetting both their lives for.
There’s one great thing in this story: Leela is a unique heroine who isn’t content to merely sit at home and live quietly as a dowager, instead forging ahead and living life as she sees fit. Being mixed-race also makes her unusual in mainstream historical romance; her father was proclaimed to be mad for marrying her mother because she was Arabian. At the beginning of the book, Leela has just returned from visiting her mother’s family. The author’s descriptions of her family and culture were fascinating and I loved that Leela was an author in a time when such an occupation for a woman was frowned upon. There’s a scene where she visits her publisher and reveals she’s a woman, and I loved it because it showcased what a tough, smart individual she is. The only thing that drove me crazy about her was her stubborn refusal to listen to Hunt about their relationship. He kept telling her he wanted to make a go of it with her and she kept shoving him at Tori. It seemed more like a way to fill pages rather than what a real person might do.
I really wanted to like Hunt, too, but it was so hard to because we’re given so little information about him. The main thing that came through was his determination to stick to the straight and narrow because every other generation of his family caused scandal upon scandal. So the idea of his being a straitlaced guy falling in love with an unconventional woman like Leela was interesting, even if I did not like the way it was executed. I wanted more from him; more personality coming out as the romance moved along.
I was kept from loving this book by a couple of other things as well. One is that Hunt and Leela’s romance was so underdeveloped; because they had already slept together at the beginning of the book, there was zero building of that attraction into a genuine emotional connection. Another – there is a scene where Leela literally humps a pillow until she orgasms, and I laughed the entire time I was reading it.
Diana Quincy is a talented writer, and perhaps if the romance had been between Victoria and Hunt after he had slept with Leela, I might have found Her Night With the Duke more to my liking – mostly because Leela is a wonderful heroine and she deserved a better hero than the one she ends up stuck with. Regardless, the book is well-written and I look forward to Ms. Quincy’s next release.





Oh, this sounds juicy and complex!
The plot description reminded me a bit of Mary Balogh’s trad Regency “The Snow Angel”. A man and a woman are snowbound in a remote dwelling and become lovers. When the snow melts and they find their ways to their original destinations, complications ensue. I liked the book a lot (second Balogh trad I’ve recommended today), and it seems she may have made more of this trope than Diana Quincy managed to.
Thanks for reminding me of this book, I think I may re-read it:) I remember it being such so quietly and deeply romantic.
*being so not such
That’s a lovely book :)
Thank you for the review!
One of my pet peeves in romance books right now is the use of manipulative friends or family as a plot device, whether to create conflict for an individual (family expectations in contemporary novels) or provide the plot crisis, as this one appears to do with the “slip” about the engagement. I realize family conflict is a a legitimate thing, but it is used so much that it feels like the easy way out these days. And interfering friends in contemporary novels are way too common, too, for my tastes. Off my soapbox. I just got to that part of the review and groaned, knowing I probably wouldn’t pick the book up even if it was a DIK.
“One is that Hunt and Leela’s romance was so underdeveloped; because they had already slept together at the beginning of the book, there was zero building of that attraction into a genuine emotional connection.”
This definitely ties into the other AAR post about slow burn romances vs… not slow burn. I’ve seen a lot of romances lately that show the characters jumping into bed practically after they first say “hello.” Sure, there are times where a romance setup is conducive to sex early in the story, but I think authors and publishing houses must be trying to nab a 21st century reader’s shrinking attention span ASAP. Personally, I don’t necessarily want to wait until the last chapter for consummation (although it wouldn’t bother me if the tension remains high throughout the story), but I don’t necessarily need a sex scene in Chapter 3 either.
“Another – there is a scene where Leela literally humps a pillow until she orgasms, and I laughed the entire time I was reading it.”
That is the first time I’ve read about pillow humping in a romance novel. 0.0 Erotica, yes. But not in romance. I’m… really not sure what I would think about that…
This sounds like an interesting premise. I read a few books by this author a few years ago and have given similar grades – which does make me think that after several years of writing she should be getting better ones by now!
It sounds like she’s found a formula and is sticking with it. I think that’s one of the difficult things for many authors. When you find something that works, it’s tempting to either keep pumping out more of the same, or the publisher will keep demanding you do so because the formula is a proven winner. I think it’s really only when you get to the level of Stephen King or J.K. Rowling that you can write whatever the heck you want and people will still buy it.
True, but as we all know, the best authors can use the most worn out tropes and make something good out of them! But I was more thinking along the lines of – if you do something often enough then presumably you should get better at it over time!
“if you do something often enough then presumably you should get better at it over time!”
Maybe, but from what I understand about mainstream publishing, there’s not as much incentive to improve as there is to keep churning out more of the same. I’ve heard it likened to buying a hamburger at a fast food restaurant. Sure, the quality may be so-so but there’s something satisfying and convenient about it that makes the customer keep coming back for more. And if the franchise started adding truffle oil in an effort to “improve” the burger or make it fancier, they would lose a lot of loyal customers who just want the junky burger they’re used to.
“True, but as we all know, the best authors can use the most worn out tropes and make something good out of them!” Certainly. But I think the fast food hamburger analogy (unfortunately?) fits a lot of situations when it comes to fiction. I’m not saying one method is better than the other, but I definitely understand why authors can get stuck in a rut- especially if that rut is profitable.
Plus, authors are being compelled to churn out more books per year than ever, especially in genres that readers breeze through, like romance. For something that requires a lot of research, like HR, I don’t know how these poor writers do it. I think that’s also why we see declining quality over time in a number of once-favored authors. The first book can be written over however long a period the author needs because she hasn’t sold it to a publisher yet. But once you get those multibook contracts going, it becomes a bit of a content mill. Burnout is very, very real.