How to Break My Heart

New-to-me author Kat T. Masen’s How to Break my Heart features Aston Beaumont and Everleigh (Eva) Woods who shared ‘a moment’ in high school. It was just a kiss, then Aston left both school and the town of Cinnamon Springs without another word to Eva. Eight years later, Eva’s bestie, Maddy – who is Aston’s younger sister – is getting married and Eva is roped in to help organise the wedding. There are plenty of tropes on display, with best friend’s brother, second chance and forced proximity wrapped in a countdown of organising a  wedding in a month.

Eva runs her own donut café and enjoys small-town life, but she’s never really forgotten that kiss with Aston. She’s keen to help Maddy, though, so she can’t avoid him. Putting together a wedding for a hundred people in a month is no easy job, especially with an over-involved mother of the groom, and an expectation that it will be the full shebang: huge budget, flowers, big white dress, sit-down food, violins, bachelor parties – so no shortcuts.

Aston works for his toxic father in Manhattan and is very protective of his little sister, so he agrees to help out, even though he is up to his ears in work. He is the billionaire CEO of the family business, but his father controls the board and their investment decisions.

When Aston returns to Cinnamon Springs he and Eva strike sparks off each other. There’s the memory of that kiss, heaps of sexual tension, and very quickly, Aston feels jealous of any man that Eva talks to – even though he’s a player and can’t help comparing her with all the other women he’s been hooking up with. He does feel an immediate pull towards Eva and there’s plenty of innuendo and banter between them as Aston lurches from arrogance to sleaze. Eva is still cross with him for abandoning her all those years ago, but she’s also turned on by all his petulance, smirks and crassness. Of course, she doesn’t want Maddy to know she is into Ashton, so they need to be secretive.

Marco, the new doctor in town is on the scene as well, and he and Eva share a few dates, mostly with Aston turning up and (metaphorically) pissing all over Eva to put Marco off. Eva is into this, even though she notices the red flags.

Maddy depends on both Aston and Eva to help her manage the wedding planning and for emotional support. Her father is a noxious influence on their family as he bullies both his kids and their largely absent mother. Maddy’s character provides the push/pull as things develop between Eva and Ashton.

Eva is easy to like. She’s loyal to Maddy, and tries to do everything she can to organise the wedding, manage her attraction to Ashton and work hard in her business, and she genuinely loves her community. Aston and Eva need to work out how to be together, but Eva wants to keep it quiet until after the wedding.

The biggest problem (of several) with this book? I didn’t see any character growth for Aston, who has misogynistic opinions and a frankly appalling attitude towards the women in his orbit. Falling in love with Eva doesn’t change the way he disrespects all the women around him, although this side of his character is minimised once he feels his feelings. We hear over and over again, how sexy and attractive he is, but this relates to his appearance not his identity or personality. When he whinges about his father, it seems obvious that he has similar character traits and is well on the way to being an asshole, if he isn’t one already. Aston’s internal monologue feels either ridiculous:

To burn with desire and lust, to taste the forbidden fruit of the woman I’ve fantasized about for the longest time, is the greatest punishment if our hearts choose to get involved.

… or terrifying, as his jealousy over a woman he barely knows is portrayed as appealing:

Everleigh saw my jealous streak when Dr. What’s-His-Face attempted to touch her and should have learned her lesson.

and 

My calm demeanor is short-lived as once again, Everleigh’s presence evokes this uncontrollable jealousy within me.

How to Break my Heart is told in alternate first-person point of view, which gives the reader both Eva’s and Aston’s mindsets, but there’s often overlap where we see the same scene from both perspectives. For example, in Eva’s head, Aston is at the bachelor party, but in the following chapter in Aston’s PoV, the bachelor party has yet to happen. I’m not sure if this is deliberate, but it’s jarring.

Kat T Masen’s writing style is clunky and unimaginative – “A moan/yawn/sigh/huff/rumble/laugh/squeal/groan escapes me” – full of awkward expression and clichés: “I pinch the bridge of my nose with irritation”, “Will is watching me swirl bourbon aimlessly” and so on.

I might be able to recommend this if Aston had even a tiny ‘aha’ moment about his views on women or if it was beautifully written, but neither of those is the case, so unless you are already a fan of Kat T. Masen and want to read this one for completeness, I can’t say it’s worth your time.

 

Laura Black

Laura Black

I'm an Australia-based romance editor. I love romcoms, contemporary and historicals, and magical realism. Best of all are books with a thoughtful focus as well as the main characters and the HEA. Grief, angst, mystery, and whimsy are all so good. Open or close the door, both work for me! I’m enjoying small town life with an overgrown garden and too many dogs...
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14 Comments
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Caz Owens

I am completely stunned that a romance author in 2025 would write such a completely unpleasant male lead (I can’t bring myself to call him a ‘hero’) and think readers would find him appealing. Seriously – what planet is she from?

Last edited 8 months ago by Caz Owens
Dabney Grinnan

This is what sells. Look at the Amazon best seller list. There are so many books with tens of thousands of positive reviews that have just this sort of hero.

Caz Owens

Ugh.

If that sort of MC exists in m/m romance, I’ve yet to come across one, thankfully.

Dabney Grinnan

Well, as long as there have been romance novels, readers have loved alpha males who overwhelm the women they love. It doesn’t surprise me that the personalities found in many an old-skool romance still appeal to romance readers today. As has been discussed on the site many times, many women love the FANTASY of not having to make any choices. This hero doesn’t sound that different than the heroes of Prisoner of My Desire or many a Cynster tale.

I get that today many readers don’t want that anymore but I think many still do and it’s not because they want asshats in their life but rather that the fantasy of the arrogant jealous alpha who is great in bed and who solves all a heroine’s problems by running her life is a fantasy that still has power for many women.

Caz Owens

The MMC in this book doesnt sound like one of those, though, he just sounds like an all-round arsehole.

Dabney Grinnan

I guess we’ll have to agree to disagree.

Susan/DC

Maybe you agree that this guy is an arsehole but disagree about whether that specific type of arsehole is attractive (at least to a subset of readers).

Dabney Grinnan

That’s interesting. As several have said here many times, a good author can make you buy almost anything!

Caz Owens

Yes. I know that bully romances and mafia romances are insanely popular in m/f CR (they exist in m/m too, but perhaps not in the same quantities) – but I was talking specifically about the MMC in this book sounding less like one of those over-protective alpha types and more like a total knob.

Dabney Grinnan

I hear you. It’s one of those lines that is easy to cross.

Charlie

Many women really equals the white minority on earth who are cishet, been catered to(little women’s queer author not being able to write Jo as single by the end due to publisher’s pressure-she dressed masc and made the character she related to a Jo..with a Laurie in response). The rest of us haven’t had much of a choice but to be overpowered in the west by white men so that’s not my fantasy. That’s my nightmare. Also, the whole “today” thing I’ve noticed you do more than once.. sounds like you’re ignoring that non cishet and nonwhite ideas about identity, sex, love, and so on are centuries old and predate the western concepts that trampled on many of us through genocide, enslavement, and imperialism even in Africa where countries like Ghana only recently started having anti queer sentiments after intense campaigns by white evangelists. Now what that looks like in other nations still is women being raped or beaten -literally overpowered by men-for being lesbian or assumed to be via their clothes.so even if those women are still hanging on to entrenched western patriarchy…why do we have to care? It’s more dangerous for most women in the end and they should probably examine that fantasy for the contemporary alpha concept now being used by trafficking rapists to influence boys and based on an old disproven study of wolves….and how it influences their habits. For example, a lot of middling white “feminists” don’t do much to further the cause when it’s life or death for others and still date men who are ideologically opposed, vote that way, behave that way in front of their children..and then if you say something about it you’ve stopped their fun..but when do they ever have to stop and at least let “today” continue into the future without hindering it. I want people to be able to say some books are not okay without being about “well my fantasy” in a way that almost seems like they’re upset that these characters can be picked apart openly now, and as long as no one is censored that’s fine, and if old school readers(the majority because no one else could get into publishing, hence the old catalogues with “brutes” from the highlands, “savage” red men, and kidnapping sheiks) become a minority of privileged white American women- take French women for example, who consider the romance, and much of popular American literature, lowbrow and not worth the the ink (white French too, which I don’t care about the high/low)It reminds that so much is truly pushed on everyone now only from a handful of Americans homogenizing even other western people’s mass market, and when they receive pushback it’s so offensive to the “old ways”, yet these books are seen as lowbrow and not written in other places, they were never for nonwhite Americans,..yet monopoly of language and publishing distribution means you’ll still find ACOTAR pushed in Mexico with its anti Irish sentiment. It is truly is not that deep to most people to have an alpha hero- so if it becomes a small number of American cishet white women enjoying what’s safe and unusual to them as usual, but now with criticism that grounds it back in reality…it’s a non problem of a horror story for many,being seen as such. Because it was only ever exciting for you and people who internalize that abuse. Sort of like how I used to want blonde long hair so bad and then I realized/worked through the real issues that created that like outright disparaging comments and poor representation and I like myself now. I even feel a little weird saying this but you’re comfortable excluding nonwhite/non cishet women and making our viewpoints seem new so I should get used to contradicting in a manner that isn’t meant to harm(I’ll assume it’s not conscious on your end-and say that even the way men used to interact with women and genderqueer folks-especially in my culture- before white assimilation and intentional fracturing of community, means they didn’t have that fantasy the other way and it manifests violently then too often-because it has become a matter of regaining stolen dignity for that that do..to many Black modern religious families now have an oppressive patriarch and the Cherokee have essentially been paid to dismiss more indigenous ways like third gender people at the higher up-whiter, representative level-..it’s not how many of us traditionally see relationship structures. Some of us were/still are matriarchal so your Eurocentric default thinking… Read more »

Last edited 8 months ago by Charlie
Nope

Excellent comment, and one that points up the inequities and blind spots that keep popping up in the moderation here.

Lisa Fernandes

Ick. A Misogynist hero is a no-go for me.