Alexis Hall’s Boyfriend Material was one of my Best Books of 2020 – a masterclass in how to do Romantic Comedy right, it’s a wonderfully, warm, funny and sharply observed opposites-attract romance that has become a long-term favourite. Needless to say, I was delighted to learn that the author was writing a couple more books set in Luc and Oliver’s world, and Husband Material is one of my most eagerly anticipated books of 2022. But I wasn’t as completely bowled over and charmed by it as I’d hoped. The author’s characteristic humour and insight are still very much present, and there’s a lot to like about it, but while I enjoyed it, I can’t say I loved it. Maybe that’s on me – my expectations for this one were, admittedly, pretty high – and I suppose that’s always going to be a danger when an author writes a sequel to an incredibly popular book; we readers want more of the same (what we loved about the first book) – but different, and that’s not easy to accomplish!
It’s no secret to say that in terms of structure at least, Husband Material is a riff on Four Weddings and a Funeral, so the story is told in five sections – three weddings, funeral, wedding – that take place over the period of a few months. When the book opens, Luc and Oliver have been together for two years, they’re still in love, they’re happy together and are still recognisably the same people; Luc is still the same slightly-neurotic hot-mess and Oliver is still stoic and more than a bit emotionally repressed.
The first wedding is Luc’s best friend Bridget’s, and of course, being Bridget the whole thing cannot possibly go off without lots of drama. Just days before the wedding, her fiancé Tom disappears, someone ‘helpfully’ sends Bridget a picture of him with another woman, and it’s up to Luc to talk her down while basically ditching Oliver and a long-awaited date night and then staying with her for several days (co-dependent, much?) while things are sorted out. And then it’s Oliver who is packed off back to London on a retrieval mission when it’s discovered that nobody has brought the wedding dress to the venue. He and Luc are hardly together on page throughout this section and I felt like Luc was taking him too much for granted.
Wedding number two is Luc’s ex Miles, the guy who sold him out to the tabloids and sent him into a downward spiral. After bumping into each other on the night of Bridget’s non-gender-specific bird-do, Miles very happily introduces Luc to the vision in glitter and rainbows at his side – who then announces they’re getting married and says Luc really must come to the wedding. Luc doesn’t know what to make of it, and it’s messing with his head; does he want to go so he can prove to Miles that he’s moved on and is happy with Oliver, or should he just let it go?
But this is the catalyst for Luc starting to panic. Everyone around him is getting married, he and Oliver have been together for two years, so… shouldn’t they be getting married, too? Isn’t that the logical next step for two people who want to spend their lives together? Luc decides it is and – in typical Luc fashion and without really thinking it through – blurts out a proposal, which Oliver, of course, accepts.
Luc and Oliver are a great couple, and they travel a rocky path in this book. I love Luc’s quirky, deadpan narrative voice, and was really pleased to see that while he’s still very much him, he’s more confident and conscious of getting caught up in his head and is able to get himself out of it. Oliver, on the other hand, is struggling a bit, still having to deal with his parents’ expectations and criticisms, questioning a lot of internalised assumptions and trying to work out if the discomfort he experiences over what he describes as “the trappings of mainstream LGBTQ culture” results from negativity inherited from his parents or is simply down to his own, natural reserve. He’s working through a lot in this story, and even though he finds it difficult to talk about emotions, he tries hard to be thoughtful and honest, and most of their conversations are far more emotionally literate than before.
I liked the way each of the events makes Luc and Oliver look at aspects of their own relationship they haven’t examined so far, and I enjoyed spending time with Luc’s friends and the CRAPP crowd, the daft conversations and silly jokes and all that – but by the time the third wedding came along, I’d begun to feel like the secondary characters were taking a lot of word count away from the storyline I was really invested in (Luc and Oliver) and they felt like a distraction until it was time for the real meat of the story to kick in at around the two-thirds mark. And something I realised after I finished reading was that Luc and Oliver seem to be at odds a lot in this book – I had trouble recalling many scenes where they seemed to be truly happy. The conflicts they’re dealing with are believable, especially for people who are past the first excitement of a new relationship but are still in those early stages where they’re still learning about each other and how to actually be IN a relationship, and those are only exacerbated by the stress of planning a wedding which will suit both of them.
The story includes thought-provoking threads about queerness and community and identity, about societal expectations for committed relationships and the heteronormative nature of traditional marriage, about how much, or even whether, one should be prepared to compromise or change for a romantic partner, and how stressful relationships can be, even when you love the people on the other end of it. It’s all very interesting and well put-together, but the episodic nature of the book’s structure means I sometimes felt as though I was revisiting the same arguments without any of them being properly resolved.
Contemporary romances traditionally end at the HEA, and to have a sequel about the same couple is fairly rare. Thankfully, there is no manufactured break-up here, just a lot of questions and adjustments and two people who adore one another trying to work out how far they can be themselves with each other, and what their future might look like. The conclusion Luc and Oliver arrive at is, perhaps, unexpected and unconventional, but it’s the right one for them, and I loved watching them talk things through and realise they’re both on the same page. The final moments had me happy-sighing, and the last line is perfection.
Husband Material really hits its stride in the ‘funeral’ section and Oliver’s speech is epic – but I can’t deny being a little frustrated in the earlier parts, for the reasons I’ve stated – not enough Luc and Oliver together and too many circular arguments and discussions. Still, Alexis Hall turns a phrase like nobody else and his ability to combine fun ridiculousness with serious soul-searching continues to impress. Husband Material definitely earns a recommendation, but in the end, it’s one of those books I wanted to love but which just missed the mark.