
Into the Storm
Rachel Grant returns to the top of her game with Into the Storm, the first book in her new Evidence: Under Fire series. This military procedural hits the ground running from the first chapter and doesn’t let up until the very end. There’s little time to draw a breath, and while it’s also a romance, the suspense definitely takes first dibs.
As usual, Grant crafts a high-concept world of intrigue and intelligence, with characters who are both intelligent and capable. Her women are no simpering fools, and her men are not pounding their chests in overt displays of machismo. There’s a level playing field between genders, cultures, and professions. Take, for example, Audrey Kendrick, an archaeologist ‘entrusted to protect all cultural resources within Olympia National Park.’ She had a scorching one-night stand with Xavier Rivera a couple months ago, not knowing he was a Navy SEAL. Xavier was at the park to scope it out for a training operation and was fully aware of Audrey’s protection efforts along the shores of Lake Olympus when he falsified a complaint against her for not approving the training request.
From the very beginning, Audrey and Xavier are at odds with one another. On the one hand, they both have jobs to do and stay on-brand by protecting their respective goals with unwavering headstrong, obstinate purpose. On the other, Audrey, who has recently discovered she’s pregnant, decides a combative relationship with Xavier is a terrible way to raise the baby. Now she’s seeing things from a different perspective when she unwittingly steps into said contested training op.
Xavier knew he was being weaselly when he secured his team’s ability to use the space on the tribal lands, but had resigned himself to the mantra of duty above all else long before he met Audrey. So, it’s a surprise, to say the least, when Audrey stumbles into the middle of the training op. He’s been focused on coordinating his team’s HALO drop in the middle of the night in the middle of a storm, and believes everyone has been cleared out of the park. After the initial shock of Audrey’s appearance, Xavier figures her fury will be the most dangerous part of the night, until it soon becomes evident true danger is lurking in the woods, taking shots at them. His team is not even on the ground and gunfire is discharging, which means the training op is now an actual op, and the only gun with live ammo is Audrey’s Glock… with fifteen bullets.
The stakes are high for their survival, and the danger is amplified when you take into account they have to figure out how to warn the SEAL team that real shooters are in the woods when all signals are jammed, and Audrey is trying to get to a handful of tribal elders still begrudgingly in the perimeter of the training area. Don’t forget she still has to tell him about the baby. And ensure historic areas of the park remain intact.
I wanted Xavier to be a little sorry he betrayed Audrey for his career, and I wanted Audrey to be more flexible with her protection of archaeological grounds when the shit hit the fan. But again, both characters are true to themselves and their callings, so for either to have relented would have actually been disingenuous; it’s probably the romantic in my heart who wants the kissy time to occur sooner. Grant is an enlightened storyteller, and at times the flow of the story can feel bogged down by lessons in good citizenry, but if the alternative is offensive, asshole characters out of touch with the current social climate, I’d rather get a little moral while the characters are improving their morale.
I’m looking forward to seeing where this series will go next. If you’re a fan of romantic suspense or, like me, have Rachel Grant on your auto-buy list, you’ll love Into the Storm.





Is Xavier the dad?
Yes. There’s a short prequel called Before the Storm that shows their first meeting and their night together.
There were some things in this one that I found very out of character for Audrey
and there were some things I felt I was being hit over the head with, for example:
I agree with Dolly’s comment about the “good citizenry” – it’s great, but not when it’s an obvious authorial message that takes you out of the story.
I had to stop watching the very good Homeland because Claire Danes’ character Carrie made a similar baby choice. If you don’t want your character to get an abortion, than write a character who seems likely to want to have a child. It makes me crazy when writers insert babies into plot lines where they really don’t mesh.
Agreed. I could have understood it more if she’d actually had some thoughts about what her options were, but she doesn’t.
It’s interesting to me that abortion is still so taboo in romance.
Personally I can’t imagine a truly career focused woman of 38 who hasn’t wanted children would be relying on condoms for birth control in the first place. The career women I knew when I was single and working were either on oral contraceptives, had an IUD, or used a diaphragm, while also using a condom. We’re not talking teenagers here.
I didn’t feel it was out of character for Audrey to want a baby; her previous relationship ended because she and her bf wanted to live in different places, not because her (dream) job was important to her to the exclusion of all else. You can be career focused and still realize that you want a baby when faced with that decision. I don’t feel like Grant is the kind of author who would consider being childfree a lesser choice.
There were other things in this book that didn’t quite work for me – e.g. the bad guys and their plot probably wouldn’t stand close scrutiny – but overall I liked Into the Storm (and especially Audrey) enough to give it a qualified recommendation.
I haven’t read the book but I have to say it IS hard to imagine Rachel being biased towards babies.
I agree – although I think that Audrey IS presented as someone for whom career is the priority. But it’s the fact that she doesn’t appear to even consider how she’s going to fit that career – it’s the job she’s wanted since she was a kid, her dream job – with parenting, or the possibility of not having the baby that I had issues with.
I also agree re. the plot; there’s one thing in particular that I had a hard time with towards the end.
Re: considering childcare options/abortion: I didn’t really need that for the narrative or for Audrey’s character development, and don’t feel like it would have made for very compelling reading. She (and Xavier) had more than enough to deal with, and I could accept that she’d figured it out before the story started.
And I have to say that I absolutely buy someone who becomes unexpectedly pregnant for the first time at an older age at 38 to think that she may not have another chance, and go for it.
I’m with you. I could buy it if the author shared the thought process, even in a small way in retrospect, when Audrey decided she was ok with the pregnancy potentially upending her life. At the very least it should be one hell of a shock. Babies turn your life upside down, even when they are expected and hoped for, and you have planned ahead.
Absolutely. And there’s no inkling given whatsoever that she was thinking that this was her last chance, or even that she was thinking in terms of having kids at all. That’s why it didn’t ring true to me.
Thank you for the thoughtful review. As I read it, though, I knew this story wasn’t for me. I know I’d be hating Xavier early on and it would ruin any romance. Nothing pushes my buttons these days more than arrogant men, especially in regards to their relationships with women.
I just sent in my audio review for AG. I gave the story a B overall (the narration is great of course) and while I do think Audrey lets Xavier off the hook too easily, he actually isn’t one of those super-macho chest-thumping heroes that appear so often in m/f RS.
That’s good to know. Rachel Grant’s heroes do tend to be a little less macho than most others. I thought the characters in the first two Flashpoint books were fairly balanced, but other times I just found myself rolling my eyes at the women she’s described are fiercely independent and career focused suddenly being unable to control their lust– usually for the guy they “hate.”