
Rules of Their Royal Wedding Night
We often get questions at AAR about where traditional romance has gone as a genre. Whelp, here it is: Rules of their Royal Wedding Night is very much your average Harlequin Presents, with the kind of formula that hasn’t really changed since the company started printing books with explicit sex in them back in the late 1970s. If you’re looking for more cold heroes, innocent virginal heroines, glossy rich people drama, minor royalty reigning over made-up vaguely European countries, ancient values, and get-‘er-knocked-up plots, then this will be your cup of tea. Unfortunately, Michelle Smart’s continuation of the lives of scandalous Berruti Royal Family doesn’t manage to rise above its stock tropes.
Chirpily innocent Elsbeth Fernandez (Hey!) is thrilled to become a part of the Berruti royal family. She’s marrying the handsome Prince Amadeo as part of a political bargain reached by her Uncle – the unfortunately nicknamed “King Piggy” of Monte Cleure – and the rulers of Ceres, who have been stuck in a Montagues and Capulets-style feud and trade war for decades. Elsbeth is fine with leaving her culture and family behind, as almost everyone but her beloved and now-dead grandmother has treated her poorly. She’s hoping for a fresh start in Ceres, and has dedicated herself to being a Good Princess, which, in her eyes, includes popping out kids and doing anything to avoid being sent back to Monte Cleure in shame. As she waits to be married, she prays to God she’ll be fertile, and her mother has coached her to total submissiveness toward Amadeo. So now you know the tone we’re going for here.
Unfortunately, Prince Amadeo does not want to be married and is absolutely not interested in Elsbeth beyond pumping her full of baby batter ‘til she pops out a kid. She is a hated Fernandez, the family has cost them a lot of grief, and Amadeo refuses to consent to falling in love with her. He is just as trapped in his marriage as Elsbeth is, but unlike her, he does not have equanimity about the situation. He also thinks she’s just interested in the role because one day she’ll be queen of Ceres. But she is pretty and blonde, so hey, a pumping he will go.
Naturally, the sex they have is the best that has ever existed in all of humanity’s humping, but Amadeo withdraws from the scene each time he finishes. The couple agrees to meet every Saturday night until the heir is conceived, otherwise only spending time together for public engagements. Elsbeth is hurt that Amadeo refuses to live with her, and her brother and sisters-in-law reach out to her. A thaw sets in before the baby is conceived, with Amadeo and Elsbeth’s sister-in-law encouraging her toward independence. But as the months pass and Elsbeth doesn’t conceive, will she ever feel true happiness?
Rules of Their Royal Wedding Night denied me a proper grovel from our stiff-necked hero, and I am mad at it for that. But lo, it is not the only reason for the D grade.
You know what you’re getting with a story like this; lotsa procreative sex that borders on breeding kink; dark, sad, broody hero with a tragic past; sunshiney, naïve, innocent romantic who must step it up and become a Woman to claim her destiny of happiness, sex and general respect as a substitute for true love (at least the sex is kind of hot and features Amadeo whacking off to entice Elsbeth). But the book misses some key ingredients that keep it from soaring, and Smart’s dull, lifeless prose doesn’t help.
Elsbeth comes off as childlike and over emotional, which is extremely uncomfortable considering so much of her story arc is about babymaking. There are throwaway lines that make you understand why she’s eagerly jumped into this marriage (her father beat her once for eavesdropping), and wince-worthy moments that explain her attitude (“women were meant to breed and obey” she thinks to herself, a notion Amadeo has to convince her is wrong, which is kind of counterproductive when talking about feminism).
Amadeo is Reserved Icy Hero Type B; he hates the Fernandez family, he is Dark and Brooding, and he Wants to Be Alone. Do not drink every time he lets out a “dio” or you’ll die of alcohol poisoning, and try not to roll your eyes as his interest in car racing is introduced, only to… well, you’ll see. His brother basically says he’s being a moron but it takes a lot for Amadeo to realize he IS being a moron.
I have no idea why these two love each other, other than proximity and sexual chemistry and genuinely being a pair of okay people. He likes car racing; she likes… well, Elsbeth doesn’t seem to have much of a hobby outside of bonking Amadeo, hanging out with her sisters-in-law and being so Utterly Terribly Innocent and Submissive.
There’s about one thing that makes Rules of Their Royal Wedding Night interesting: it’s the home of the most melodramatic menstrual cramping in all of literature. And you’ll need to pop a Midol if you want to get through it without snapping.





This review made me LOL after a tough week. I almost want to read the menstrual cramp part but I’m gonna hard pass!
Aww, thank you!
When it comes to Harlequin Presents, I think you have to find the authors who make it work for you and stick with them. I’ve tried some of Michelle Smart’s HPs, but they just didn’t hit my catnip center. Because my default setting for any romance (regardless of sub-genre or trope) is “angsty heartache with a splash of melancholy”, I find that in the right hands, Harlequin Presents can really scratch that itch—but it has to be in the right hands: it takes a very good writer to use the HP “template” and, within those rather rigid boundaries, create something that both hews to the established confines and still finds a way to fashion the story in an unexpected way. My favorite HP authors are those who also write very good non-HP books: Caitlin Crews, Kelly Hunter, Jackie Ashenden (who, even before she was writing HPs, was, imho, writing HPs, lol), Maisey Yates, and to a lesser degree, Clare Connelly (who can be hit-or-miss for me). There are other authors whose HPs I’ve read and enjoyed (Lynne Graham, Melanie Milburne, Jane Porter, Dani Collins, Natalie Anderson), but I always return to the reliable gang of Crews, Hunter, Ashenden, and Yates.
TL;DR: it’s not so much the imprint as it is the author that can make it break a sub-genre for a reader.
Yes, it has always been the author that convinced me a Presents was a keeper. Peak HP for me was when the New Zealand writers (Robyn Donald, Susan Napier) were writing. Donald did a bunch of “minor European royalty” books toward the end of her career. They weren’t her strongest work, but they were better than the reviewed book sound like.
You put it well, DDD!!!
My gang is Kelly Hunter, Dani Collins, Jennifer Hayward.
Tara Pammi and Michelle Reid in second tier.
Your gang are my hit or miss-es.
Lynne Graham had good stuff – either she got worse or I outgrew her.
I tried this author, like you, and she did not work for me.
I agree with you on Lynne Graham. Somehow she lost her edge.
I definitely agree that for category you have to find what hits your id. Smart was a new author for me this time out; I’ve got mixed thoughts about a few of these authors but I enjoy a number of the folks you mentioned!
My fave HP writers are Caitlin Crews, Kelly Hunter, and Jackie Ashenden as well – I’ve even bought a lot of them in print
So of course I had to take a look at the excerpt. I stopped at paragraph three, when Elsbeth is marveling at how handsome Amadeo is because :
Men who don’t have an ounce of fat make me concerned that they either have an eating disorder or they have to carb-proof their diets and work out every day to maintain their six-pack and V-shape. And authors who fat-shame make me avoid their books.
I should’ve mentioned the fatphobia here because yeah, the “fat people bad! Thin people morally pure!” stuff that popped up was gross.