Contemporary Romance

  • Mad About Maddie

    Like many these days, I have been longing to escape into a good, light-hearted, fun book, and the romantic comedy Mad About Maddie looked like just the ticket. Unfortunately, the combination of cardboard characters, un-funny situations, and awkward writing left me feeling frustrated instead of refreshed. Maddie Copeland gets more than she bargained for when…

  • You Never Can Tell

    You Never Can Tell is a thoroughly researched and well-written story, as you would expect from Kathleen Eagle. Unfortunately, I felt shortchanged by the human aspects of the story and let down by a lack of romance conveyed. Eagle has been moving away from genre romance for some time now and this book continues that…

  • Surrender by Brenda Jackson

    Surrender had a very pleasant hero and heroine. If it had stuck with their story, I would have enjoyed it very much, but too many secondary characters and a couple of really silly scenes made it a bit of a chore to get through. Netherland Brooms owns a successful restaurant and has many friends. She…

  • Buffalo Valley

    The cardinal rule of good storytelling is, “Show, don’t tell.” Reading Buffalo Valley, the fourth installment in Debbie Macomber’s Dakota series, I got the feeling that I was being told the story, not shown it, and my reading experience suffered because of it. Moreover, a good part of the story was told in awkward flashbacks…

  • Thief of Hearts

    The fourth and final installment in Lynda Sandoval’s interconnected Hispanic-American romances, Thief of Hearts, is a quirky and touching romance that manages to generate heat without the characters exchanging a single kiss. The characters are realistic, the plot simple yet involving, and the language enhanced, rather than distracted, from the story. Graciela Inez Obregon had…

  • A New Attitude

    Quirky characters can be highly amusing when done well. But too many quirks piled on in an attempt to deepen the humor only make a book everything but funny; instead the characters become caricatures and the plot suffers. Charlotte Hughes excels at writing three-dimensional characters who have enough quirks to be interesting. She adds depth…

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