I love this series–it’s sexy, fun, and polished. In our DIK review of this, we wrote:

Sex, Lies, and Online Dating is a light yet moving story in true Gibson style with nary a dull moment as I laughed, sighed, and gasped in indignation. Part of my enjoyment stemmed from the anticipation of Quinn’s comeuppance and I was not disappointed. Rachel Gibson is one author I can rely on to hit the right blend of humor, characterization, and sexiness with pure class.

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I thoroughly enjoyed this thriller. 

Tell Me What You Did is a wild read. Each chapter is short and that staccato rhythm reflects the fragmented way uncertainty creeps in and, slowly, undermines the things we’re sure of. This is a dual timeline story—it weaves between Poe’s teenage grief and her adult reckoning—and both parts work. Even the now overdone podcast schtick suits the tale–the transcripts, emails, and production notes add narrative depth rather than gimmick, capturing the gap between Poe’s public persona and private fear.

This is a novel I couldn’t put down. It’s not perfect–the last twist strains credulity, and the pacing tips toward spectacle–but Wilson earns enough trust along the way that I stayed with it and was glad to have done so. Tell Me What You Did is a gripping, thoughtful, rollicking thrill laden ride of a story and I recommend it highly.

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We gave this a B+.

This story is very much women’s fiction, and rather than dealing with finding Mr./Ms. Right, it primarily deals with what happens when you find Mr./Ms. Wrong. It’s obvious from the get-go that neither Cal nor Harriet are good at romantic relationships. Cal has a type called Hot Thatcher – “Margaret Thatcher’s personality in the body of a babe” – which seems to mean he falls for girls who are caustic, overly assertive, domineering, lying, cheating beauties. Harriet is drawn to men who are extreme emotional dependents (Jon) or abusers.

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This is a classic with all that entails. In our DIK review, we wrote:

Now here’s a book you can’t judge by its cover, or rather, by its title. Yes, it’s about desire, more like ire and desire. . .

The story starts with a beating, the one of a mother before the eyes of her daughter; the ultimate test of power of a greedy, blood thirsty 12th Century, when women were but chattel, wombs for future destructors, and at best, bargaining chips for political negotiators.

Such is the fate of Rowena and her mother; respectable Ladies who must bend to the will of the step-son who wants an alliance with an old rich Lord, a snickering, dirty old Lord closer in image to the word disgust than desire….

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There are more! You can find them all here.